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| Jiro |
 Posted: Fri Aug 19, 2011 8:00 am Post subject: Projek Lagu Raya bersama Rosli Selasih |
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Joined: 14 Feb 2007
Posts: 1933
Location: Shah Alam
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| Quote: | | This song is originally owned by veteran composer and producer Rosli Selasih and it used to be sang by other local artist Natasha. This version is a new remake with new arrangement which are sang by Rosli him self and classic veteran singer Hayati. Sessionist for wood wind instrument was play by veteran Bukit Bintang band, Abang Lan. I was assigned to engineered the recording session, mixing and mastering at Kayang Event Studio owned and run by Rosli Selasih. |
Haaa jom dengar lagu raya  hahaha
http://soundcloud.com/romance-not-in-fashion/selamat-hari-raya-bonda
Title : Selamat Hari Raya Bonda
Artist : Rosli Selasih ft Hayati (veteran singer)
Composer : Rosli Selasih
Producer : Rosli Selasih
Lyric : Rosli Selasih
Recording Engineer : Jiro / Cj
Mixing and Mastering : Jiro / Cj
Run time : - 3:58
Format : Wave PCM stereo 24bit 44.1khz 2116kbps
Originally sang by : Natasha
http://www.mediafire.com/?ziyncndomin
Recording detail for reference:
OS : Windows 7 x64
DAW : Sonar 8.5 PE x64
Interface : CREATIVE Audigy 4 Pro
Mic Pre-Amps : Focusrite Platinum Voice Master
Monitor : 4pcs of Yamaha NS-10
Vocal : Nuemann Condenser Mic
Digital Instrument:
Synth, String, Bass, Accordion - KORG Triton LE (Rosli Selasih)
Drum Bass, Snare, HiHat - Session Drummer 3
Miccing Instrument:
Guitar - Microtech Gefell GmbH Condenser Mic (play by Rosli Selasih)
Flute - Microtech Gefell GmbH Condenser Mic (play by Abang Lan)
Violin - Microtech Gefell GmbH Condenser Mic (play by Fadzli)
Rabanna - Microtech Gefell GmbH Condenser Mic (play by Rosli Selasih)
Kesi - Microtech Gefell GmbH Condenser Mic (play by Rosli Selasih)
Tamborine - Shure SM57 (play by Rosli Selasih)
Shaker - Shure SM57 (play by Rosli Selasih)
***why using CREATIVE SOUNDBLASTER AUDIGY 4???? the studio machine supposedly run using Pro-Tools via AVID MBox, but somehow the MBox not functionally as it suppose to, the interface driver keep unworkingable, so we open up the old store room and found this Audigy 4 that we used to use 5 years ago. Lucky the device are still working in a good condition, and producer like the sound from Audigy and he say "...SOUND DIA LAGI BEST DARI MBOX" ...and i kinda agree...HEHEHEH
AND SORRY IF THIS IS NOT YOUR CUP OF TEA..
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Last edited by Jiro on Sat Aug 20, 2011 11:03 am; edited 2 times in total |
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| Ridzi |
| Posted: Fri Aug 19, 2011 2:41 pm Post subject: |
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Joined: 06 Feb 2004
Posts: 2198
Location: Kuala Lumpur, Malaysia
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Kudos Jiro!! Sounds really good!! I am digging the mix brother!! Vocal pun record pakai Neumann Condenser Mic ka???
Awesome work!! Aku dah follow engkau kat Soundcloud!! Looking forward to more of your work!!
Selamat Hari Raya 
Ridzi |
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| ETERNAL |
| Posted: Fri Aug 19, 2011 5:33 pm Post subject: |
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Mod Squad
Joined: 01 Aug 2005
Posts: 3382
Location: Dreamland
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ni dah finalize ke?
soalan: kenapa pakai sm57... condenser mahal dah ade...
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| Jiro |
| Posted: Fri Aug 19, 2011 5:50 pm Post subject: |
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Joined: 14 Feb 2007
Posts: 1933
Location: Shah Alam
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| Jiro |
| Posted: Fri Aug 19, 2011 6:06 pm Post subject: |
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Joined: 14 Feb 2007
Posts: 1933
Location: Shah Alam
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| Ridzi |
| Posted: Fri Aug 19, 2011 6:45 pm Post subject: |
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Joined: 06 Feb 2004
Posts: 2198
Location: Kuala Lumpur, Malaysia
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Did you mix this in your new mixing room?? If yes then I might be tempted to treat the space where I mix as well...hehehe...
Aku suka detail vocal tu... which model microphone is it? Aku memang tengah me-rickky mics ni... tak lama lagi kena masuk vocals la.. 
Hish... vocals are uncharted territory for me..  |
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| Jiro |
| Posted: Fri Aug 19, 2011 7:07 pm Post subject: |
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Joined: 14 Feb 2007
Posts: 1933
Location: Shah Alam
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| Ridzi wrote: | Did you mix this in your new mixing room?? If yes then I might be tempted to treat the space where I mix as well...hehehe...
Aku suka detail vocal tu... which model microphone is it? Aku memang tengah me-rickky mics ni... tak lama lagi kena masuk vocals la..
Hish... vocals are uncharted territory for me.. |
Yes...i pre-mix it in my mixing room, but the next day i re-mix it at Kayangan Studio for a loud mixing as my room not allowed me to booming the room hahah most of the mixing part like reverb,bus,EQ i did it in my mixing room... so when i come back to studio i just make adjustment for the panning as i need a lead form rosli how ethnic song instrument should be placing in the stereo imaging.
nanti aku check balik detail mic tuh... tak sure..aku googel pun tak jumpa jenis tuh..tapi let me tell u something, the key of this sound of vocal, or the instrument is not the mic. the mic are good, but the focusrite pre-amp are incredibly great....but mic nih satu yg leceh..penyanyi kene tau nak bring up his/her vocal tone...if not...dia macam mic tuh akan give it to ur face "KAU TAK BOLEH MENYANYI" haha
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Romance Not In Fashion
http://www.facebook.com/romancenotinfashion
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"A mix is never finished, it’s abandoned."
My Page:
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https://twitter.com/cjrxf
http://greg-livingatthemovies.blogspot.com/ |
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| ETERNAL |
| Posted: Fri Aug 19, 2011 7:32 pm Post subject: |
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Mod Squad
Joined: 01 Aug 2005
Posts: 3382
Location: Dreamland
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| Jiro wrote: | | ETERNAL wrote: | ni dah finalize ke?
soalan: kenapa pakai sm57... condenser mahal dah ade... |
aku rasa dah finalize walau aku sendiri tak rasa aku dah finalize....sbb producer suka, artist suka, and derang dah submit kat RTM...derang nih semua org kuat RTM...so aku mengikut je...
jawapan: kenapa SM57? sbb sound dia lagi better dan suit dalam lagu tuh. aku try 2 2 mic masa recording. |
nanti ko bawak la aku tour studio tu kalau ada masa...
weh.. aku nak book record vocal kat bilik ko bleh? bila free?
pakai 2 mymic (room) + 1 sm57... amacam?
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| eniQma |
| Posted: Fri Aug 19, 2011 8:47 pm Post subject: |
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King Korek
Joined: 28 Nov 2009
Posts: 4040
Location: enigma di Kuala Lumpur
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TOUR?!! nak ikot nak ikot haahaha
best gile...serasi betul soundnye....
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| Jiro |
| Posted: Sat Aug 20, 2011 11:00 am Post subject: |
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Joined: 14 Feb 2007
Posts: 1933
Location: Shah Alam
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| Ridzi |
| Posted: Sat Aug 20, 2011 11:39 am Post subject: |
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Joined: 06 Feb 2004
Posts: 2198
Location: Kuala Lumpur, Malaysia
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Patutla detail gila vocal tu...ehem...untuk aku memang takleh la pakai mic yang terlalu honest... aku nak buat recording lagu2 rock...ngehngeh ngeh...so kena try hide la imperfections sora aku yangmacam katak ni 
lagi pun mana la aku mampoo nak beli mic sampai 8k...aiyoooo baik aku beli amp Mesa sebijik...
Thanks Jiro!! |
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| Jiro |
| Posted: Sun Aug 21, 2011 8:54 am Post subject: |
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Joined: 14 Feb 2007
Posts: 1933
Location: Shah Alam
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aku dah dapat google...
dia punya model Microtech Geffel M900 atau M910...tak sure yg mana satu.
tapi our model tak sama macam dalam gambar...maybe this is the new design...our's mmg look very old and no MG logo at all...
perbezaan:
M900 = cardioid
M910 = hypercardiod
aku check estimated price dia sekarang (for the model in the picture) :
1,522.50 USD = 4,540.86 MYR
| Quote: | The M 900 and M 910 condenser microphones have been developed for recordings of instrumental and vocal soloists in the professional market. lts well balanced frequency response in the free-field as well as in the diffuse-field and the appropriate distinct characteristics ensure clean and colourless recordings of any sound sources with good selectivity.
lt is advisable to use the M 910 by soloists because it shows a specially optimised frequency response for this kind application. A distance of less than 8 to 12 inches, which is recommended as minimum distance between lips and microphone, causes a coloration with an emphasis of lower frequencies, the proximity effect.
An acoustic filter integrated in the protective basket reduces the pop sensitivity. The direction of maximum sensitivity is axial, i.e. endwise to the microphone. This fact and the ergonomic design make these microphone the right choice for live performance of soloists.
Following the modern trend of technique the transducer is equipped with a gold plated polyester membrane.
The newly developed transformerless impedance transducer having a balanced output stage guarantees a high output capability and low intrinsic noise. Together with the good qualities of the microphone capsule a high brilliance of the live performance is reached. A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And a low frequency roll-oft switch will reduce the proximity effect when dose miking. The two switches are sunk placed in the middle of the amplifier.
At the lower end of the amplifier the microphone is equipped with a 3-pin XLR connector fitting to the microphone cable C 70. These microphones use 48 volt phantom powering according to the international standards DIN 45596 and IEC 268-15.
Model: SMIGM900
Manufactured by: Microtech Gefell |
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Romance Not In Fashion
http://www.facebook.com/romancenotinfashion
http://www.myspace.com/rxfband
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My Page:
http://www.facebook.com/cjrxf
https://twitter.com/cjrxf
http://greg-livingatthemovies.blogspot.com/ |
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